Bach Bibliography
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Series : ^OngakuGaku$
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
[]
1. Tokawa, SeiichiBach no Kyosokyoku Keishiki -- Brandenburg Kyosokyoku o Chushin ni. [Bach's concerto form - focusing on Brandenburg concertos] OngakuGaku 2 Jan 1960
2. Tokawa, SeiichiBach no Sakkyoku Nendai Kenkyu no Genjo to Mondai. [The present state and problems in the chronology of Bach's compositions] OngakuGaku 8 Feb 1963
3. Hattori, Kozo; Sumikura, IchiroBach Jihitsufu no Shinhakken ni tsuite. [On the newly discovered Bach's autograph manuscript] OngakuGaku 12 4 1966 234-235
4. Sumikura, IchiroBach no Henkyoku ni kansu ru Jakkan no Mondai. [Some problems associated with Bach's transcriptions] OngakuGaku 12 4 1967 253-254
5. Koga, Ruiko'Ongaku no Sasagemono' no Joretsu no Mondai: Saibannen no Bach Ongaku Rikai no tame ni. On the ordering in The Musical Offering: A way to understand the late music of Bach. OngakuGaku 13 1-2 1967 20-25
6. Sumikura, IchiroBrandenburg Kyosokyoku no Iko ni tsuite. [On the different version of Brandenburg Concerti] OngakuGaku 13 3 1967 155-158
7. Nakayama, AkiyoshiJ. S. Bach no Shoki Kantata Yoshiki ni tsuite. [On the style of Bach's early cantatas] OngakuGaku 13 4 1967 219-233
8. Kada, MarikoC. Ph. E. Bach no Chenbaro Kyosokyoku. [C.P.E. Bach's harpsichord concertos] OngakuGaku 14 1-2 1968 65-75
9. Arakawa, TsunekoJ.P. Kirnberger no Ongaku Riron -- 'Die Kunst des reinen Satzes in der Musik' o Chushin ni. [J.P. Kirnberger and his music theory--concerning his Die Kunst des reinen Satzes in der Musik.] OngakuGaku 19 1 1973 1-12
10. Isoyama, TadashiOngaku to Gelehrsamkeit -- Mattheson o Chushin ni. [Music and Gelehrsamkeit viewing from Mattheson] OngakuGaku 20 1974 129-143
11. Higuchi, RyuichiAnhalt-Köthen Ko Leopold no tame no Soso Ongaku BWV 244a no Seiritsu to Parody no Shomondai. [Problems on the origin and parody in the funeral music (BWV 244a) for Prince Leopold of Anhalt-Köthen] OngakuGaku 20 2 1974 98-116
12. Wakabayashi, KazukoJ. S. Bach no kenbangakki fuga no kenkyu. [A study on Bach's keyboard fugues] OngakuGaku 21 4 1975 242-255
13. Higuchi, Ryuichi'Actus Tragicus' - sono Densho to Juyo. ['Actus Tragicus' BWV 106 - seine Überlieferung und Rezeption.] OngakuGaku 27 1 1981 48-56
14. Higuchi, Ryuichi [et al]Tsuso Teion no Shomondai - Zoku. (Panel discussion) [Basso continuo and various problems. cont.] OngakuGaku 28 1 1982 75-81
15. Oyama, MayumiJ. S. Bach no Senritsu Gakki to obligato cembalo no tame no Sonata. [J. S. Bach's Sonatas for melodic instruments and obbligato harpsichord] OngakuGaku 29 2 1983 186-198
16. Kato, HirokoLeipzig no Collegium Musicum: 18-Seiki Zenhan no Ikutsuka no Collegium Musicum o Chushin ni. [Über die Tätigkeiten der Collegia Musica in Leipzig in der ersten Hälfte des 18. Jahrhunderts.] OngakuGaku 35 3 1989 181-191
17. Kimura, SachikoJ. S. Bach no Korarutekusuto Kantata: Chukan Gakusho no Koseiho o Chushin ni. [Choral-text cantatas of J. S. Bach: focusing on the organisation of the middle movements] [BWV 4, 97, 100, 107, 112, 117, 129, 137, 177, 192] OngakuGaku 43 2 1997 65-80
18. Kiso, AkikoJ. J. Fux no Guradus ado Parunassumu ni okeru Fuga Riron no Shiteki Kosatsu. [A historical study of fugue in J.J. Fux's Gradus ad Parnassum] Ongakugaku 43 1 Mar 1998 15-27
19. Arakawa, TsunekoDoitsu ni okeru 17-Seiki Zenhan no Tsuso Teion Soho ni kansuru Shiron: Luther-ha no Shukyoteki Seigaku Sakuhin no Baai. [A theory on the early 17th-century thorough-bass methods in Germany in the sacred vocal works of the Lutheran school] OngakuGaku 44 1 1998 1-15
20. Kubota, KeiichiC.P.E. Bach no Kaitei ni tsuite. OngakuGaku 45 2 2000 130-142
21. Kobayashi, YoshitakeBach o meguru Shinpyosei no Mondai ni tsuite. [On the credibility of attributions to Bach] [Summary of paper read at 56th annual meeting of the Musicological Society of Japan at Meijigakuin Daigaku, Tokyo Japan on 22-23 October 2005] OngakuGaku 51 3 2005 233
22. Beißwenger, KirstenSingakademie Zosho no Kikan to Weimar ni okeru Jihitsufu Hakken. [The return of Singakademie collection and the discovery of the autograph in Weimar] [Summary of paper read at 56th annual meeting of the Musicological Society of Japan at Meijigakuin Daigaku, Tokyo Japan on 22-23 October 2005] OngakuGaku 51 3 2005 233-234
23. Higuchi, Ryuichi; Kobayashi, Yoshitake; Beißwenger, Kirsten; Tomita, Yo; Sato, Nozomi; Isoyama, TadashiRoundtable 1: Bach Kenkyu to 21 Seiki. [Roundtable: Bach Research and the 21st Century] [Summary of papers and discussion at 56th annual meeting of the Musicological Society of Japan at Meijigakuin Daigaku, Tokyo Japan on 22-23 October 2005] OngakuGaku 51 3 2005 233-235
24. Tomita, YoBach Kenkyu no atarashii Keiko to Shorai ni kanshite no Ichikosatsu. [A consideration on the new trend and future of Bach research] [Summary of paper read at 56th annual meeting of the Musicological Society of Japan at Meijigakuin Daigaku, Tokyo Japan on 22-23 October 2005] OngakuGaku 51 3 2005 234
25. Isoyama, TadashiNihonjin no Shiten ni yoru Kenkyu o. [Research from the viewpoint of Japanese person] [Summary of paper read at 56th annual meeting of the Musicological Society of Japan at Meijigakuin Daigaku, Tokyo Japan on 22-23 October 2005] OngakuGaku 51 3 2005 234-235
26. Sato, NozomiBach no Jidai Kenkyu no arata na Kanosei ni tsuite. [On the new possibility of research into Bach's time] [Summary of paper read at 56th annual meeting of the Musicological Society of Japan at Meijigakuin Daigaku, Tokyo Japan on 22-23 October 2005] OngakuGaku 51 3 2005 234-235
27. Nomura, Yasuhira4-seitai Koraru 'Watashi wa aware na Ningen' (BWV 179/6) ni taisuru arata na Kaishaku. [A new interpretation on the 4-part chorale 'Ich armer Mensch' (BWV 179/6)] Study and Reports. OngakuGaku 52 1 2006 79-80
28. Koishi, KatsuraFelix Mendelssohn Bartholdy und seine musikalischen Tätigkeiten in London. OngakuGaku 53 1 2007 19-36
29. Asayama, NatsukoMittsu no 'Denkumäler' ni miru Doitsu Ongakushi. [A view of German music history in three Denkmäler] Ongakugaku 53 2 Mar 2008 93-107
30. Seo, Fumiko18-Seiki Kohan no Protestant Junan Ongaku no Ruikeigaku-teki Tekisuto Bunseki -- Johann Ernst Bach no Junan Oratorio (1764) o Jirei ni. [Johann Ernst Bach's Passion Oratorio (1764): A Case Study for Typological Analysis of the Passion Music Librettos in 1750-1800] OngakuGaku 54 1 Oct 2008 48-60
31. Isoyama, TadashiRoundtable IV: J. S. Bach to C. P. E. Bach. Densho to Sozoteki Juyo o megutte. [Roundtable IV: J.S. Bach and C. P. E. Bach -- on transmission and creative reception] [Summary of roundtable staged at the 59th Annual Meeting of Musicological Society of Japan from 24 to 25 October 2008 at Kunitachi College of Music, Tokyo.] OngakuGaku 54 2 2008 146-147
32. Murata, KayoJ. S. Bach no Shoki Fuga Sosaku Saiko: Organist ni yoru Sokkyo Jissen no Kanten kara. Reconsidering the Early Fugues of Johann Sebastian Bach: In the Light of Improvised Fugues by Organists. [English abstract p.154] Ongakugaku 60 2 2014 154-168

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